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- VIDEO, Page 77Dark Deeds, Dangerous Blonds
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- The action is steamy and the ratings high in cable noir
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- By RICHARD ZOGLIN -- With reporting by William Tynan/New York
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- She's blond. She's seductive. She's just killed her husband.
- Oh, sure, it was probably self-defense: the guy had disguised
- himself as a burglar, broken into their house and tried to kill
- her before she plugged him with a .357 Magnum. Still, you know
- she's trouble.
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- He's a police detective with a seedy apartment, a 5 o'clock
- shadow and, against his better judgment, a yen for the blond.
- It's the old story: boy meets girl. Boy suspects girl. Boy
- borrows girl's car and is almost killed when the brakes
- mysteriously fail.
-
- The steamy couple, played by Harry Hamlin and Nicollette
- Sheridan, develop their near fatal attraction in Deceptions,
- a made-for-cable movie that aired on Showtime last month. It
- was perhaps the definitive example of the hottest new ticket
- on the cable dial: the film-noir thriller. Gotham, a moody
- mystery about a Manhattan detective (Tommy Lee Jones)
- investigating an enigmatic woman (Virginia Madsen) who is
- supposed to be dead, was Showtime's highest-rated made-for-TV
- movie in 1988. Third Degree Burn, starring Treat Williams as
- a private eye hired to tail another mysterious blond (Madsen
- again), was the most-watched original film on HBO last year.
- The USA Network, which is churning out made-for-TV films --
- most of them murder mysteries -- at the rate of two a month,
- scored its best ratings ever with The China Lake Murders last
- January. Even Lifetime, the cable channel for women, will get
- into the act late this month with Memories of Murder, starring
- Nancy Allen as an amnesia victim.
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- In the mode of such Hollywood classics as Double Indemnity
- and The Big Sleep, these cable-noir thrillers feature tales of
- murder, treachery, lust and double-dealing. The mood is somber,
- the detectives usually disillusioned and the blonds nearly
- always dangerous. A bit more graphic in sex and violence than
- network movies, cable-noir films go straight for the gut. And
- their aim is true. The cable networks may get more attention
- for their high-minded docudramas (Mandela) and gourmet remakes
- (Charlton Heston in A Man for All Seasons). But these
- unpretentious B movies are their doughy bread and butter.
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- Which is not to say that many of them are not junk food. In
- Curiosity Kills, last month's USA entry, C. Thomas Howell and
- Rae Dawn Chong play a photographer and his neighbor who suspect
- a new tenant of being a killer; despite some bloody violence,
- it's routine Nancy Drew hokum. USA's Dead Reckoning contrived
- to place a rich doctor (Cliff Robertson), his wife and her
- former lover on a pleasure boat together in the middle of the
- ocean, then promptly sank in a sea of implausibility.
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- Others tinker more creatively with the familiar noir premise
- of treachery getting its just deserts. In Backfire (Showtime)
- the wife of a disturbed Vietnam vet plots to drive him crazy
- so he'll attempt suicide. He obliges only to the extent of
- lapsing (darn the luck) into a catatonic state, which is only
- the beginning of the wife's comeuppance. In Buried Alive (USA)
- another scheming housewife (Jennifer Jason Leigh) conspires
- with her doctor lover to bump off her husband with poison.
- Again the plan goes awry: she gives him too small a dose, and
- the authorities only think he's dead. What follows is Poe-etic
- justice.
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- The most interesting of these films explore another classic
- noir theme: the murky line between good and evil, the secret
- complicity between the innocent and the guilty. In Fear, which
- just debuted on Showtime, Ally Sheedy plays a psychic who helps
- the police track down serial killers. The twist is that she
- runs into a murderer with psychic powers of his own, who
- welcomes her as a telepathic compatriot on his sadistic binges.
- Fear is two-thirds of a good movie, stumbling only when it
- lurches toward the predictable chase-through-an-amusement-park
- climax.
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- The cozy relationship between good and evil is most deftly
- explored in the genre's one real gem to date: The China Lake
- Murders. A veteran Los Angeles cop named Donnelly (Michael
- Parks) takes his annual vacation in a small desert community,
- where he stops unsuspecting motorists and murders them.
- Director Alan Metzger and screenwriter N.D. Schreiner play out
- the story in surprisingly delicate chords. The murders are
- mostly bloodless and muted (the cop stuffs his victims in a car
- trunk and leaves them to fry in the sun), and the
- tracking-a-killer plot is downplayed. What counts is the wary
- relationship between Donnelly and the town's sympathetic
- sheriff (Tom Skerritt).
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- It's a good-cop, bad-cop story of psychological subtlety and
- resonance. The film plays craftily on the audience's fears of
- the police losing control but refuses to go for easy responses.
- The murderous cop is unfailingly composed and affable; the
- troubled sheriff is the one who flies off the handle while
- trying to arrest a wife beater. "Take it easy, pal. It's just
- a job," Donnelly tells him. "Lose control, you turn to
- garbage." The movie is unsettling in the best tradition of film
- noir: dark deeds taking place in the bright desert sun, where
- nothing is quite black and white.
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